Andy Razaf Biography

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Andy Razaf

Andreamenentania Paul Razafinkerierfo

Lyricist, Poet, Baseball Pitcher

(1895 - 1973)

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Biographies:


•	Big Bands Database	•	•	•	•
•	AllMusic.com	•	•	•	•
•	wikipedia.org	•	•	•	•
•	songwritershalloffame.org	•	•	•	•
•	aaregistry.com	•	•	•	•
•	parabrisas.com	•	•	•	•

Articles:


•	"Race and Double Consciousness" ...	•	•	•	•

Reviews:


•	CD--Sullivan Tribute at answers.com	•	•	•	•

Discographies:


•	Songs at parabrisas.com	•	•	•	•

Other:


•	Films at imdb.com	•	•	•	•
•	On Broadway at ibdb.com	•	•	•	•

Andy Razaf was the son of a Madagascar prince who married the daughter of the American consul to Madagascar. With her father, purportedly the first black man in the diplomatic corps, Jennie fled to Washington, D.C. after the French invaded, killed her husband, and annexed the country as a colony. Andy was born in the states with an almost 40-character name which he shortened to Razaf. He sold one song in 1913 and left for Cleveland where he pitched in a black semipro baseball league. He came to New York in 1921 where his reputation as a protest poet (reflected in the lyrics of “Black and Blue”) landed him jobs as a lyricist with Eubie Blake, Fats Waller, and Paul Denniker.

In 1929 alone he had several hits with Waller--“Honeysuckle Rose,” “Black and Blue (What Did I Do to Be So Black and Blue),” and “Ain’t Misbehavin’.” The team also created “Keepin’ Out of Mischief Now” (1932) and “The Joint is Jumpin’” (1940). Razaf’s “S’posin’” with Denniker and “Gee, Baby, Ain’t I Good to You” with Don Redman were also big successes. He scored Blackbirds of 1932 with Eubie Blake which produced “Memories of You” and “Lindy Hop.” Other collaborations produced “Stompin’ at the Savoy” (1936) and “In the Mood” (1939), a signature instrumental for Glenn Miller but a tune that is seldom sung. Razaf wrote the words and music for “That’s What I Like About the South” (1942) which became Phil Harris’ signature song. He also came up with lyrics for Blake’s “My Handy Man,” a song filled with sexual double entendres, and the equally bawdy “If I Can’t Sell It, I’ll Keep On Sitting On It” with music by Alex Hill. Razaf purportedly recorded as a vocalist under a pseudonym accompanied by Waller on piano.